Dove Cottage Young Poets are currently recruiting new members! We meet on Fridays from 3.30pm-5.30pm at Abbot Hall Gallery in Kendal to read, discuss and write poetry. This year there will also be an opportunity to work towards an Arts Award. If you are aged between 12 and 21 years old and you are interested, please email Esther Rutter at The Wordsworth Trust: email@example.com or me: firstname.lastname@example.org. The group is completely free – if you know anybody who might be interested, please feel free to share this information. Our sessions for the summer start on the 8th August.
Evening folks. On Friday afternoon I was running a poetry workshop for a group of young writers as usual in Kendal. Esther Rutter has been developing a private wordpress blog for the use of the young writers in the group and she showed me a few more tricks on WordPress – some of which I’ve forgotten now, but it has left me with a desire to make my blog look a little more attractive – it wouldn’t kill me to put a few more photos on, for example! So above is a picture of a murmuration of Starlings, to go with the poem by Holly Hopkins which is this week’s Sunday Poem – more on that later. She also showed me the correct way to link to another web page without having long messy addresses all over the place – something I’ve been vaguely thinking I should learn but never quite having the time or the inclination to actually do it – so I will be trying this out later – and hoping that someone will tell me if it doesn’t work.
This week has been a bit crazy – the last week of school is usually a mix of the pressure of end of term concerts and extra free time as the schools go into end-of-term madness and cancel all the music lessons. Although I had quite a few cancellations this week – some of them the minute I walked in through the front door and the teachers look at me blankly and realise they haven’t told me that the kids are having an end of term party/on a trip etc etc I also had a few last minute concerts and assemblies – overall I think I’ve worked harder than I normally do!
Apart from work and end of term concerts I’ve not really been up to much else. I was gutted on Tuesday because I had to do an end of term concert which meant I couldn’t go to Grasmere to see Robert Hass and Philip Gross read. It was a strange feeling – part of me wanted to have a huge tantrum about it – this is the reading I’ve been looking forward to all year but the other part of me knew I had to just get on with it. And in the end, the concert was quite nice and I got a lovely message from a parent thanking me for helping her child to enjoy music – which is something I don’t really get thanked for very much actually – often parents will thank me for helping their child through an exam or to perform a solo – but it was nice to be thanked just for helping someone to enjoy music – it reminded me why I teach and stopped me sulking about the Robert Hass reading as well.
Monday evening was the Barrow Shipyard Junior Bands end-of-term concert and although at the time I didn’t have time to feel sad or emotional – I did when I got back home and it hit me that another year was over and that I wouldn’t be conducting the band again until September, but I am looking forward to the summer holidays. I’ve got quite a few things to get done so I will need to be disciplined with my time – I’ve fallen into the old trap of putting lots of things off until the holidays, thinking I’ll have plenty of time to do them and I’ve probably got a long enough list now to fill 12 weeks not 6.
Here is a list of the things I’ll be doing over the holiday…
1. Working on my manuscript for my first collection
I’ve started on it this week – I now have a title! It will be called ‘The Art of Falling’ and the amazing Amy Wack, my editor at Seren has found a really beautiful painting to go on the cover. It’s not completely confirmed yet, but the artist was positive. I’ve been working through the feedback from a few of my poetry friends and then I’ve sent the revised 3rd draft to Amy who has sent it back with some suggestions so I’ll be working on the 4th draft this week. I’ve got till September but it is kind of one of those endless jobs – there will probably always be something I could improve
2. Article for Artemis about Sylvia Plath
This is due mid-August – an article about what Sylvia Plath means to me. I’m looking forward to writing it, but I’m still looking for my gateway into it at the minute.
3. Planning Ilkley Poet-in-Residence stuff
I’m expecting all of this to hot up in the next couple of weeks and I’ll be planning workshops and other stuff.
4. Burmese Poetry Project for Modern Poetry in Translation
This is due in after the summer – I really need to get this started and get some momentum with it.
5. Moving house
We’ve finally had a mortgage offer so I’m hoping all of this will start moving now. I’m surprised though, that anybody moves house. I haven’t found it particularly stressful so far, even though it’s taken eight weeks just to get a mortgage, more annoying and time consuming.
6. The Flying Poets Tour
Plans are afoot for a reading tour with a difference with poets Clare Shaw and Keith Hutson – we are slowly but surely putting together an itinary for a reading tour with a difference – no walking for us – we will be running from Yorkshire to Cumbria and reading on the way. We’re hoping to create some new work together that we will perform as part of this tour. I’m working on the premise that talking about something as if it is real means it becomes real and now I’ve put it on here – there is no getting out of it – we will have to do it!
7. Planning Residential Course in October at St Ives
I’m really excited about this – but due to the craziness that will be my October – residency in Ilkley and all as well as teaching, I’ll be planning my workshops over the summer holidays so that I’m ready to go. I think the residency finishes the week before the course starts so I can’t leave anything till the last minute.
8. Ongoing stuff- writing the blog, running the young writers workshop, reading poems, doing some writing, walking the dogs, running
And then there is all the normal stuff of course – maybe I am packing too much in to a small space of time. I have decided I’m going to have 1 hour every day where I do nothing but read poems – so that will be nice.
So that’s my summer! I’m really looking forward to it- next week I have David Tait coming to stay who is visiting from China – I’ll finally get to see his first collection as I’ve been holding off buying it so I can get a signed copy from him. David will be reading at The Wordsworth Bookshop in Penrith on the 24th July with myself and Josephine Dickinson and at Ulverston Library on the 25th July with Gill Nicholson and Neil Curry as an extra Poem and a Pint event – please click here for more information – it would be lovely to see you at one or even both events if you’re really keen!
So today’s Sunday Poem is by Holly Hopkins whose poetry has featured previously as a Sunday Poem. Holly was one of the four winners of the Poetry Business Pamphlet Competition and she stayed at my house with her partner Alex on the weekend of the launch of her pamphlet. Holly’s pamphlet, rather brilliantly is called ‘Soon Every House Will Have One’. This pamphlet is full of cracking poems – you can find ‘Duck’ here but other favourites are ‘Offchurch’ with it’s lovely description of a ‘saucer-faced barn owl’ and the poem ‘The King’s Manor Cat’ which always makes me laugh out loud in the last three lines ‘We must raise up the banners each morning/with the pulling back of the bedlinen./We must not eat the liver.’ Perhaps my top poem in the pamphlet though is ‘Explanation for those who don’t know love’ which is a poem which starts ‘I have a child and am more important/than childless people.’ It is all very tongue in cheek and extremely funny, probably, I admit more funny for people like me who don’t have children. The last poem in the pamphlet is called ‘Anglepoise’ and is a carefully observed study of an Anglepoise lamp that moves on to become a mediation of writing and self-worth – the pamphlet is really excellent and if you are saving your pennies for something special – treat yourself to this one. It’s only £5 and you will be supporting a lovely poet and her fantastic publisher, The Poetry Business. You can order the pamphlet here from Holly and she might even sign it if you ask nicely.
I’ve chosen this poem ‘Starlings’ from Holly’s pamphlet because it is that rare thing – a poem with end-rhymes that work beautifully – they don’t feel forced on to the poem but are working with the sense and rhythm of the words. It reminds me a little of some of Don Paterson’s poems in ‘Rain’ because of the skilful way the rhymes are handled. The poem is also saying something beautiful, describing something beautiful. When I was looking for pictures of starlings in flight to put at the top of this post – I found the black clouds in the pictures quite disturbing and eerie – maybe because in the pictures it looked more like a swarm of insects than birds – but look at the last line of the second stanza and its description of the flock which ‘stretched itself like kneaded dough’ – I read that and thought yes, she’s nailed it, but then she does it again with her ‘hemmed within a living sack’. There is a sense of something being not quite right in the poem right from the first line when we read ‘We’d heard the fens were dying seas/pinned into their beds by reeds;’ – that is a haunting image and the use of ‘dying’ and ‘pinned’ introduces the idea that something is wrong in the poem. This is only ever hinted at though by language – the ‘washed-out winter marsh’, the ‘ragged lines’ of the birds, the way the flock ‘smashed itself across the dusk’. Really, the poem is about, I think, the ‘thread of trust’ which binds us together, and by us, I mean the birds and the couple in the poem, the poet and the reader.
Holly Hopkins lives and works in London. Her poems have appeared in Poetry Review, The Rialto, The North, Magma and Verse Kraken. Her work has been anthologised in ‘Dear World & Everyone In It: New Poetry In the UK (Bloodaxe Books) and Lung Jazz: Young British Poets For Oxfam (Cinnammon Press). Holly is reading an MA in Creative Writing at Royal Holloway and she received an Eric Gregory Award in 2011. She blogs at http://www.hollyhopkins.co.uk
Starlings – Holly Hopkins
We’d heard the fens were dying seas
pinned into their beds by reeds;
the sedges crowded out our path
through the washed out winter marsh.
They came in ragged lines that fell
into the budding chirping swell
of bodies caught up in a flow
that stretched itself like kneaded dough
until the churning shoal was black
and hemmed within a living sack
that smashed itself across the dusk
but could not break the thread of trust
that held each bird beside another,
and pulled the molten flock together
until they turned and plunging down
were hooked into the weedy ground.
We both stood locked inside our coats
and in the dark we neither spoke
in case our clumsy blundering
upset the other’s new-found wings.
Dear Mr Gove
dear mr gove today I taught the children not to sit like bags of small potatoes in their chairs I taught them how to breathe with their bellies like babies do when they are sleeping we pretended we were balloons of different colours filling up with air dear mr gove we played long note beat that we looked up who holds the world record for the longest note it was a clarinet player who managed to play for one minute and thirteen seconds without taking a breath we held our notes as if we were monks singing a drone in a cathedral where the roof rises like a giant wing against the sky dear mr gove today the whole class played hot cross buns we talked about the great height of the note E we held thin blue straws between our lipls and some of us went on to play an E and some of us fell towards a low A with its ledger line hovering above it and another piercing its poor head dear mr gove we are brilliant at trying some of us know what crotchets and minims are and we will know this all our lives but some of us still call them black and white notes we make up sayings to help us read like Elephants Go Bananas Doing Flips like Electric Green Brains Dance Forever we play the riff to Eye of The Tiger and sing along in the voices of tigers if tigers had voices like ours today Mrs Johnson forgot how to play a D and Harry told her which valves to press I do not know how to measure this mr gove please send help and there is also the problem of Matthew who cannot read or write too well but who can play Mary Had A Little Lamb with perfect pitch there is the problem of his smile afterwards and how we write this down today we watched the muppets singing bohemian rhapsody for no good reason other than that it was fun and while I am confessing small transgressions last week we watched mr bean play an invisible drum kit the children have been playing an invisible drum kit in the playground dear mr gove I did not stop them today we talked about the muscles in the lip and tongue we did not know we had control of so many muscles we tried to look like musicians mr gove please help us
Evening all. I’ve dragged myself away from editing my collection with great difficulty tonight to write this post – which is strange because I had to really force myself to start editing. I think I was worried because I knew that there were problems in the manuscript that I needed to sort out and I was panicking, thinking maybe I won’t be able to sort them out, so I didn’t want to start. I’ve sent the collection out to a few poets and I’ve had lovely feedback from them – all of them identified things they weren’t sure about – some of them they even agreed on (without knowing it). Today my good friend Noel Williams wrote to me, sending me 12 pages of detailed feedback, going through each poem and in particular focusing on the order of the poems, which is what I’d asked for help with. So armed with this and combining it with the other feedback I’ve had I’ve finally started sorting the collection out. My method for this is to re-type the whole thing again, which is risky because I could type mistakes in but it is my way of editing. I taught myself to touch type when I was about 17 – probably the most useful skill I ever learnt and I love typing. I like the shapes that words make on the keyboard when you are touch typing and for me it is an important part of editing – it forces me to slow down which is always a good thing.
This afternoon I helped out the Barrow Steelworks Band at a local church service, just playing hymns whilst the congregation sang. I actually quite enjoyed it – one of the congregation read a really lovely extract from ‘the electric bible’ (what ever that is) but the first line was ‘The clouds are the prophets of god’ or something like that. I should have written it down.
This morning my alarm didn’t go off and I woke up at 9.30am which left just time to shove a chocolate croissant down and then jump in the car to get down to Roose to go for a run with the Walney Wind Cheetahs. Because of my disorganisation, I wasn’t in the best of shapes, but I managed 6 miles at a respectable pace. Yesterday I had a go at beating my PB at the 5km park run which is held every Saturday. I managed to knock 11 seconds off – I went from 25mins 13 seconds to 25 minutes 4 seconds…so I’m heading the right way to get under 25.
On Wednesday I met up with poets Keith Hutton and Clare Shaw and non poet Jemima at the Endmoor 10k. Although this race was ridiculously hilly, the organisers provide tea, coffee, squash and cakes at the end to make you forget about the pain. It actually works as well. The weather was so nice, we sat on the field for a while afterwards, planning our ‘Flying Poets’ tour where we are somehow going to combine running and poetry…I’ll tell you more when we know more…
This week in general has been a funny old week. I’ve spent a lot of it driving round to schools and finding I’m not needed or wanted in because the children are on a trip/having a party/doing something more exciting. It’s still been busy though because my quintet, the South Lakes Brass Ensemble had their first performance as guests at my sisters junior band concert. It went really well and I really enjoyed playing.
Poetry-wise, three of the poems from my sequence about domestic violence have been published in Poetry Wales this week, which is apparently out now http://poetrywales.co.uk/currentissue/
I have another three poems out in ‘Poem’ which is out next week http://poemmagazine.org/aboutsubscribe/ and I was excited to learn that one of these poems is also going to be included in an issue of The New Humanist. You can also read the first poem in the sequence, which was published in Poetry News this week on the website here http://www.poetrysociety.org.uk/content/membership/mempoems/membpo14/#Moore
The other exciting thing is that, by my records, I’ve sold personally 476 copies of my pamphlet. I’m not sure how many my publisher has sold. I’ve always wanted to sell 500 copies myself though so it’s looking like I’m on target to get there! If you would like one, head over to the https://kimmoorepoet.wordpress.com/reviews-and-stuff/. It comes wrapped in lovely tissue paper…
This week’s Sunday Poem is another one of the winners of the Poetry Business Pamphlet Competition. I’ve used one of James Caruth’s poems before as the Sunday Poem a while ago, but I asked him for this poem because it made me laugh out loud. Jim’s poetry is beautiful, lyrical and poised. His poems are not loud or show offy – they are usually quietly understated so this poem with it’s exaggerations and swagger seemed to show another weapon in Jim’s armour. This poem also wears its technical achievement lightly – the line breaks are perfectly measured – look at the break at the end of stanza 2 for example after ‘learn’ so we are left hanging, wondering ‘learn what?’ until we reach stanza 3. And the lovely stanza break at the end of stanza 5. All of the line breaks in the poem work to reinforce the humour in the poem, as does the repetition of the outrageous claim about the spider’s size.
James Caruth was born in Belfast and lived there until 1982 before moving to Cape Town, South Africa. He now lives in Sheffield. His first collection ‘A Stones Throw’ was published by Staple Press in 2007 and a long poem sequence ‘Dark Peak’ was published in pamphlet form by Longbarrow Press in 2008. ‘Marking the Lambs’ was published by Smith/Doorstop in 2012. ‘A Spider In The Bath’ comes from Jim’s pamphlet ‘The Death of Narrative’ which was one of the winners of the 2013/14 Poetry Business Pamphlet Competition, judged by Carol Ann Duffy. You can buy Jim’s two latest pamphlets from the Poetry Business website at http://www.poetrybusiness.co.uk/shop/859/the-death-of-narrative-james-caruth
I hope you enjoy the poem.
A Spider In The Bath – James Caruth
I call her to come and look
at a spider in the bath.
A spider as big as my hand.
She tells me it’s nothing.
Nothing! – It’s as big as my hand.
She tells me I must learn
not to exaggerate my fears
but to take deep breaths, confront my anxieties,
see this spider as big as my hand
for what it is and nothing more.
which at this time of year, she adds,
is prone to wandering long distances
in search of a mate. And what’s more,
I should note its resilience,
how it will survive in its quest for months
without food or water.
She admires the unwavering intent
to follow desire. I ask her how she knows
so much about this spider as big as my hand.
She looks through me as if studying
a stain she has only just found
on the bathroom tiles,
and says, it has always intrigued her
how, when the act is complete, the female
will turn and eat every last bit of him.
Evening folks. I have exactly 32 minutes to get this blog finished and posted before it becomes officially not Sunday anymore. Today the husband and I got up at 4.30am and drove over to Yorkshire to watch the Tour De France. We parked up and walked 5 miles across the hills to get to Cragg Vale and meet this week’s Sunday Poet, Keith Hutson and his friends and family. For some reason, in my infinite wisdom last night, I’d decided I would fill the rucksack I would be carrying with books, just in case I got bored, as well as the obligatory waterproof trousers in case it rained, a jumper in case it was cold etc etc. After about the 3rd mile, I really regretted dragging along Sharon Olds, Hubert Moore et al and beginning to wish I’d bought a smaller bag with just clothes in. I promised myself I would no longer live in fear of being bored and overpack books that I’d never get a chance to read. I promised all these things!
Anyway, we managed to meet up with Keith – the husband had brought the cooker so he could make hot sandwiches ( he knows I don’t like cold ones) – and had carried huge amounts of water to keep us supplied in tea all day. We had a brilliant time – people were chasing random cyclists up the hill, shouting and cheering them up the hill. Everyone seemed in such a good mood – and the weather was really good – sunny but not too much.
When the cyclists go past it is all over very quickly – but it was definitely worth going to soak up the atmosphere.
The only other thing that happened this week is that I have a poem in the new Poetry News, on the theme of ‘loss’ as chosen by Carrie Etter. The poem that Carrie is the first poem from the sequence and you can click on the link below
So, I did have Keith Hutson down for a poem in a couple of weeks time, but as I’ve just been to the Tour de France and Keith has a brilliant poem in ‘Butcher’s Dog’ which is about cycling, I thought it would suit the day perfectly.
Keith has since been published by Pennine Platform, Ian Parks’ journal Hinterland (where he is now an editor), Prole Magazine, Butcher’s Dog and Meniscus. As well as writing poetry, Keith is a Running Poet and coaches boxing as well!
I’m going to sign off now because I’m falling asleep whilst writing this blog – thanks again for reading..
I chose this poem because I don’t normally like poems about sporting themes but I really enjoyed this one. I also like how the poem seems to contain a whole narrative about the ‘he’ of the poem. I think this poem really creates pictures in your mind – I can see the spokes giving out silver showers of rain onto the pavement. The appearance of auntie’s knitted racing jumper means I can picture the ‘he’ of the poem. The other thing I really liked about this poem was the beautiful ending – the recollection of the day ‘In spite of God knows what/it still remains.’ I should also come clean and say Keith sent me some cracking poems to choose from – he has another great sport poem called ‘Running with the Africans’ which I was very tempted to put up – but I thought that it was good to have a cycling poem on the day when I’ve spent all day watching lycra clad cyclists sometimes zooming, sometimes trundling up and down the hill.
I should also say that ‘Recycle’ was first published in the wonderful magazine ‘ Butcher’s Dog’ which is well worth subscribing to or scrounging off somebody if you want have a quick read. It’s a great little magazine, and produced very beautifully I think. If you would like to order a copy of Butcher’s Dog you can go to http://www.butchersdogmagazine.com/2012/12/subscribe.html
I’m going to stop here because I’m nodding off, whilst typing – I just hope I haven’t made any mistakes when typing up Keith’s poem…..
Recycle – Keith Hutson
Sunday, early, April ’74: a sky
still undecided whether to wear
rainbows, and a road already warm
and ripe for riding.
Underneath and all around him,
thin wheels whisper. Touching
tarmac througha shallow
brilliance of rain, they lap up
liquid beads of light,
for spokes to fillet into silver
showers that tumble,
to be turned and tossed again.
In his wake, a trail is laid:
it glistens for a second,
then evaporates – an evanescent thread
that hobbles under every push
away from home, where bad
revision notes are turning brown below
the bed; beyond them lies the final day
at school, the God knows what.
He’s got his auntie’s knitted
racing jumper on, canary-yellow,
with the club name stitched in blue,
and he’s nestled in the corner of the bunch:
an easy-breathing train of chrome and corduroy,
conversation, rolled up crepes.
They’ve wedged him where, this time, he can’t
uncouple and get left behind.
Later now, return leg, and an uphill
crunch against the wind. He’s knuckled
down and blowing hard, eyeballing
the handlebars, elbows riveted to ribs:
a flesh-and-fabric planet packing
itself back to core and generating
pain, but plumb in place – he’s fixed
and spinning in his citadel of space,
and though a life ago,
this day of utter joy, it still
remains. In spite of God knows what,
it still remains.