Tag Archives: poetry residentials in cumbria

35 Weeks and counting and poetry updates

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It’s been a while since I blogged again but I’ve been busy getting more and more pregnant and trying to get as much of my PhD done as possible before the baby arrives.  I’m now 35 weeks pregnant and officially on maternity leave from my PhD, which feels strange. I can’t quite let go of it at the moment still – it’s become a habit I can’t put down.

My maternity leave started on the 1st May and I decided to set myself a rather arbitrary target of getting up to 20,000 words of my critical thesis.  I say arbitrary because it was a self-imposed target, but I find I work best if I’ve got a goal to work towards.  Overall, the thesis has to be between 30,000 and 40,000 so I thought if I had 20,000 under my belt before my maternity leave started, I would feel a bit more confident that I would finish it.  The creative part of the PhD, my next collection I’m happy to let tick along at the side – it’s not finished yet, but I’m confident that I can finish it.  The critical part is harder to predict.

So the last couple of weeks have been kind of intense – I’ve been writing pretty much non-stop around the last few freelance commitments I’ve had.  I’ve had really productive meetings with two of my supervisors in the last few weeks as well on both the creative and the critical side – I know what I need to do next, and I’ve decided to slowly keep plugging away at it whilst I’ve still got the urge but just at a less frantic pace than I’ve been doing.

I also can’t believe that the baby will be here in five weeks.  It seems both that it’s gone really fast, and that I’ve been pregnant for years! It’s been a complete rollercoaster, which I know is a cliché, but it really has.  I’m now starting to feel excited instead of scared, and looking forward to the baby arriving, massively helped by attending a hypnobirthing course a few weekends ago.  I would highly recommend it to anyone feeling anxious/nervous/stressed about pregnancy or birth – it was full of really practical information about pregnancy but also lots of meditations to practice at home.  I was sceptical at first, but listening to a meditation on my phone the first night after the course helped me sleep straight through the night for probably the first time in about three or four months.  I listen to them every night now and I’ve gone from getting up four times a night because I’m so uncomfortable to just getting up once a night which I can just about cope with!

I have a few poetry updates for those that are interested.  The Poetry Carousel is happening again this December, although we’ve moved venue to Rydal Hall in Ambleside.  The course runs from the 6th-9th December 2020 costs £385 to share a room with a friend, £400 for a standard room or £415 for a superior room.  This cost includes workshops, accommodation, evening readings and breakfast, lunch and evening meals.

The Poetry Carousel is a residential course with a difference – four very different workshops with four very different tutors, all crammed into one weekend.  Each participant will be put into a group of between 8 and 10 to take part in a morning workshop with one of four tutors.  Afternoons are free for reading and writing, and in the evening, there are poetry readings in the Great Hall at the hotel.  Tutors confirmed so far are myself, Clare Shaw and David Tait with a fourth tutor to be confirmed.  If you’d like to book, you need to ring the hotel direct on 015394 32050 but any questions about the course, you can contact me directly on here or via email.

I’ve just got back from running my St Ives residential poetry course which was a brilliant week with possibly the best weather I’ve experienced since I started running the courses down there.  Kind of frustrating as I couldn’t get out and run or even walk very far but lovely for the participants!  St Ives will be running again next year, this time from the 27th April to the 2nd May 2020 and I’m really excited about the opportunity to work with the fabulous poet and writer Fiona Sampson as my guest tutor this year.  This course runs more like a traditional residential, with a maximum of 16 participants.  The cost of the week is £595 and this includes breakfast, three course evening meals, workshops, a tutorial with one of the tutors and readings in the evenings.  To book a place, please ring the hotel direct on 01736 796240.

A few other exciting poetry happenings in Cumbria – I’m on the organising committee of ‘A Poem and a Pint’ and our next event is happening on the 29th June with the fabulous poet Ilya Kaminsky.  The venue is Greenodd Village Hall and we will have some limited open mic spots available.  This is a really exciting opportunity to see one of the most brilliant poets writing today so get the date in your diary!

After the success of last year’s poetry competition, A Poem and a Pint are running a competition again this year, this time with the fantastic Carrie Etter as our judge.  First prize is £150, 2nd prize is £100 and 3rd prize is £50 with a special prize for a Cumbrian poet of £25.   The closing date of the competition is the 15th July 2019 and it’s a relatively fast turnaround – winners will be contacted by the 7th September and we will be having a prize giving event on the 21st September with Carrie Etter as our guest reader.  You can find more information about the competition here

If you need any information about any of the events listed here, please get in touch, and if you know anyone who might be interested in the residential courses, please feel free to share!

 

 

 

 

 

 

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Guest Poets for the 2017 Poetry Carousel

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Another brief interruption of the ’16 Days of Action’ posts.

With less than a week to go before the 2017 Poetry Carousel, I thought I’d reveal the mystery guest poets for this year’s course, and the dates and guest tutors for 2018.

I’m really excited that  Polly Atkin and Ian Seed will be heading to the Carousel to read for participants.  In the tradition of the Carousel, they are two very different poets – Mark Ford writes that Ian Seed is “our most brilliant exponent of that most unBritish of genres, the prose poem. Hilarious and unsettling, his beautifully controlled micro-narratives genially induct us into a world that soon turns out to be as dangerous as it is magical. His work should really come with some kind of health warning, for these poems are not only intoxicating—they are addictive.”  Polly Atkin’s poetry explores the boundaries of landscape and the body.  The Poetry Book Society said that “The remarkable poems in Basic Nest Architecture are a testament to the persistence and artistry of Polly Atkin. As well as being profoundly personal, they reach out to the modern world in all it’s complexity and diversity.”  You can find out more about Polly and Ian at the bottom of this post.

It’s going to be a brilliant weekend with a real variety of approaches to poetry explored.

On the last night of the course, we will also have some music from The Demix.

And for those of you who couldn’t get on to this year’s Poetry Carousel, I have the dates for the 2018 course, which will be taking place from the 7th-10th December 2018.   I don’t have the price yet for this weekend, but you can provisionally book a place by contacting Abbot Hall Hotel on 01539532896

I’m also really excited about the line up of guest tutors – joining me on the 2018 Poetry Carousel will be Sean O’Brien, Fiona Sampson and Andrew McMillan.  I’m expecting the 2018 Carousel to sell out pretty fast so do get in touch with the hotel if you’re interested in coming!

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Polly Atkin lives in Grasmere. Her first collection, Basic Nest Architecture, was published by Seren in February 2017. An extract from this was awarded New Writing North’s Andrew Waterhouse Prize in 2014 for ‘reflect[ing] a strong sense of place or the natural environment’. Her first pamphlet bone song (Aussteiger, 2008) was shortlisted for the Michael Marks Pamphlet Award, 2009, and second, Shadow Dispatches (Seren, 2013), won the Mslexia Pamphlet Prize, 2012. She has taught English and Creative Writing at Lancaster University, and the Universities of Strathclyde and Cumbria. She is interested in where poetry might intersect with Disability Studies and in writing about the body, in poetry and prose.

Ian Seed’s most recent publications include Identity Papers (Shearsman, 2016), The Thief of Talant (Wakefield, 2016) (the first translation into English of Pierre Reverdy’s little-known long poem, Le Voleur de Talan), and Makers of Empty Dreams (Shearsman, 2014). Identity Papers was featured by Ian McMillan on BBC Radio 3’s The Verb in 2016. Makers of Empty Dreams has been translated into Italian by Iris Hajdari and is due for publication in 2018. Ian’s work is represented in a number of anthologies, such as The Best Small Fictions 2017 (Braddock Avenue Books), The Forward Book of Poetry 2017 (Faber&Faber) and The Best British Poetry 2014 (Salt). Ian’s book of prose poems and small fictions, New York Hotel, will be published by Shearsman in 2018. The late John Ashbery commented: ‘The mystery and sadness of empty rooms, chance encounters in the street, trains traveling through a landscape of snow become magical in Ian Seed’s poems’.

Poetry Workshop Carousel – New Residential Poetry Course, 11th-13th December

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 Society of Authors Awards June 2011Kim Moore  Eric Gregory AwardsandrewforsterIan Duhig (6)Question_mark_(black_on_white)

Due to an early mix-up with dates between the hotel and myself, Rebecca Goss is no longer able to tutor on the 2015 Poetry Workshop Carousel, which I’m really sad about.  She will hopefully be coming back to tutor on the 2016 course, so please watch this space!

The new dates for the Poetry Workshop Carousel are the 11th-13th December 2015.  Tutors confirmed so far are myself, Andrew Forster and Ian Duhig.  I will hopefully be able to confirm the fourth tutor in the next couple of days or so, and it will be someone as equally fabulous as Rebecca, but fabulous in a different way.

In case you missed my earlier post about this, the Poetry Workshop Carousel will be taking place at Abbot Hall Hotel, Kents Bank, Grange Over Sands.  The course will be made up of a carousel of four workshops with four different tutors.  Each participant will attend a 2 hour workshop with each tutor as part of a small, intimate workshop group.  In the evening, the groups will come together for poetry readings from the tutors and invited guest readers.  I estimate the workshop groups will be between six and eight people.

The cost of the course will be £230.  This includes four workshops, two readings on the Friday and Saturday night, accommodation and all food for the weekend – a three-course meal on Friday night, breakfast, lunch and three course evening meal on Saturday and breakfast and lunch on the Sunday.  The course begins at 4pm on Friday and finishes at 12 on Sunday.

If you haven’t been to Kents Bank or Grange Over Sands before, it is a beautiful place.  The hotel is set in wonderful grounds, right on the edge of Morecombe Bay and a two minute walk from Kents Bank train station.  There is a lovely swimming pool in the hotel and the intention for the weekend is to take over the hotel with poets!  If you have any questions at all about the course structure or content, please get in touch with me via the Contact page.  Places are limited and I’m expecting them to go quickly, so if you would like to book, please phone Abbot Hall directly on  015395 32896.

Over the weekend, I’m planning to put up a draft programme for the weekend, but the start time for the first workshop will be 4pm on Friday 4th December and the finish time will be Sunday lunchtime at 12pm, if you are thinking about booking trains.

Here is a little bit more information about the fantastic tutors who I’ve chosen not just because of their reputation as poets, but also because of their reputation for running fantastic workshops.

Ian Duhig

A former homelessness worker, Ian Duhig has written six books of poetry, three of which were shortlisted for the T.S. Eliot Prize as well as the Whitbread and Costa Poetry Awards. He has won the Forward Best Poem Prize, the National Poetry Competition and was a joint winner of a Shirley Jackson Award for one of his short stories. A Cholmondeley Award recipient and Fellow of the Royal Society of Literature, he has taught at all levels from beginner to post-graduate and his university posts include being the International Writer Fellow at Trinity College Dublin.  If you would like to order any of Ian’s books, you can buy them direct from Picador here

Andrew Forster

Andrew Forster is originally from South Yorkshire but he lived in Scotland for twenty years before moving to Cumbria in 2008. He has published three full-length collections of poetry, two with Flambard Press, ‘Fear of Thunder’ (2007) and ‘Territory’ (2010), and ‘Homecoming’ with Smith Doorstop (2015). ‘Fear of Thunder’ was shortlisted for the 2008 Forward Prize for Best First Collection and ‘Homecoming’ is shortlisted for the Lakeland Book of the Year Award . Two poems, ‘Horse Whisperer’and ‘Brothers’, appear in the AQA GCSE syllabus.  He has worked in Literature Development for 17 years and until recently was Literature Officer at the Wordsworth Trust in Grasmere.

Kim Moore

Kim Moore’s first full length collectionThe Art of Falling’ was published by Seren in 2015.  Her first pamphlet ‘If We Could Speak Like Wolves’ was a winner in the Poetry Business Pamphlet Competition in 2012.  It was named in the Independent as a Book of the Year, shortlisted for the Michael Marks Award and was the runner up in the Lakeland Book of the Year Award.  She was awarded the Geoffrey Dearmer prize by Poetry Review in 2010, an Eric Gregory Award in 2012 and a Northern Writers Award in 2014 and is one of five UK poets selected to take part in Versopolis, a European project aimed at bringing the work of young UK poets to a wider European audience.  Her poem ‘In That Year’ is on the shortlist for the 2015 Forward Prize for Best Published Poem.

*FOURTH TUTOR TO BE ANNOUNCED SHORTLY*

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